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results 201-220 of 373 item(s)  page 11 of 19 : ( <<  11  12  13  14  15  16  17  18  19  >> ) :: previous : next
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201. [Bookplate for J. J. Girouard] [Bookplate for J. J. Girouard] Black ink on grey paper. An ornate border composed of curlicues houses the name and number of the bookplate.

202. [Bookplate for J. I. Frank Anthes] [Bookplate for J. I. Frank Anthes] In red and black ink on cream or white paper, the bookplate consists of a red double border surrounding black text.

203. [Bookplate for J. Hunt Stanford] [Bookplate for J. Hunt Stanford] An armorial bookplate printed in black ink on white paper. A buck couped argent (silver) with antlers or (gold) gorged gules (red) with a crest wreath, argent and azure (silver and blue), sits on a visored helm facing dextor with argent mantling. The shield: argent three bars azure, and in the dextor canton azure an arm or clenched with sword. The motto, 'Labore et honore' hangs below.

204. [Bookplate for J. Harry Smith by William Walker Alexander] [Bookplate for J. Harry Smith by William Walker Alexander] Printed in brown ink on cream paper, the bookplate shows a man in the dress of a 19th-century agricultural laborer against a background of clouds and a landscape of fields, trees, and three buildings (possibly a house, a barn, and an out building). The man holds a basket in his left hand and sows seeds with his right hand. In the left foreground, a lamb frolics next to an open book. The right page of the book reads 'LAMB'S / TALES.' Underneath the open book appears a manuscript upon which rests an inkwell and a quill pen. The date '1942' is written in the bottom left corner of the manuscript. To the right of the book appears a mailbox with 'R. R. / 4' written on the door. On the side of the mailbox appear the words 'Knoll Farm / J. HARRY SMITH.' Below and to the right of mailbox appears an inverted triangle with the initials 'W W' at the base of the triangle and the initial 'A' at the top of the triangle.

205. [Bookplate for J. H. Hagarty] [Bookplate for J. H. Hagarty] Black ink on cream paper. Crest features an armoured arm holding on to a sabre. The arm is coming out of a crest-wreath. The shield is argent with a sable chief. The chief is charged with three white birds trussed. The bottom section of the shield is argent and charged with a tall, leafy tree. The tree has three roots extending out. Below the shield, the motto is printed on a curling ribbon in capitalized, block, sans serif white letters. Below the motto, the bookplate owner’s name is printed in large, black, sentence case, cursive font.

206. [Bookplate for J. E. Horvath] [Bookplate for J. E. Horvath] Circular black ink text on white paper.

207. [Bookplate for J. E. Horvath by Gabriella Krisztimkovich] [Bookplate for J. E. Horvath by Gabriella Krisztimkovich] The bookplate belongs to J. Eugene Horvath who is a famous bibliographer living in Vancouver. The central image is of a Canadian mapleleaf. The left portion of the leaf has a gilt inlaid ceramic plate with a quill pen over it signifying a love of writing. The central portion of the leaf has a set of mountains signifying the Vancouver area with a camera below it signifying a love of photography. The right portion of the leaf has an image of a Hungarian King St. Ladislas The central portion of the leaf has an image of the Buda side of Budapest and shows the central castle and churches lying in relief above the Danube river. This portion of the bookplate indicates the fact that Horvath was born in Hungary and emigrated to Canada.

208. [Bookplate for Isabel R. Gillies] [Bookplate for Isabel R. Gillies] This bookplate features a blue walking cat.

209. [Bookplate for Imperial Order Daughters of the Empire] [Bookplate for Imperial Order Daughters of the Empire] Purple ink on white paper. Seal of IODE at top. Text below. Border consists of three fine lines at top and bottom and a single fine line at the sides.

210. [Bookplate for Ian Waldie by Alexander Scott Carter] [Bookplate for Ian Waldie by Alexander Scott Carter] In black ink on white paper, a sailboat at sea with a fish depicted in the waves below. Three seagulls are flying around the boat. A wide, bold floral border surrounds the image of the ship, with a few books and a lyre above it.

211. [Bookplate for Hugh John Macdonald] [Bookplate for Hugh John Macdonald] Black ink on white paper. Above the escutcheon on a straight wreath, sits a dexter hand, erased, holding a cross crosslet. Below the wreath a vizored helm with mantling appears. The escutcheon is divided per quarter. The quarterly field near dexter chief is argent (silver) with a lion rampant and near sinister chief, or (gold), is a dexter hand, erased, holding a cross crosslet, gules. The quarterly field near the sinister base displays a fish naiant on water, vert (green) and a lymphad in the dexter base, argent. Below the escutcheon is a banner displaying the originator's Latin motto.

212. [Bookplate for Hugel] [Bookplate for Hugel] Black ink on white paper. The crest features a lion rampant holding a flower with three petals between its paws. The lion stands atop a crown with elaborate, feathery wings extending upwards to the left and right. The crown is round and flat and decorated with three diamonds across the front. The crown sits on the head of a baronet and knight helm. Elaborate, curling mantling extends to the left and right and down the bookplate, becoming blacker towards the ends. The shield is divided per cross. The top left and bottom right sections are sable and charged with a lion rampant. The lion in the top left faces to the right, whereas the lion in the bottom right faces to the left. Like the lion in the crest, these lions hold a flower with three petals in their paws. The top right and bottom left sections of the shield are argent with sable dots. They are each charged with three black diamonds, two over one. The diamonds have black shading on the right-hand sides. Below the shield, a curling ribbon with non-straight edges has the motto printed in black, capitalized, serif font. Below the ribbon, the bookplate owner’s name is printed in elaborate, black, large, sentence case, Gothic font with extensive curling decorations surrounding the text.

213. [Bookplate for Howard Murray] [Bookplate for Howard Murray] In black ink on cream coloured paper. This bookplate depicts a sitting room with two chairs and a window looking out on trees, rolling hills and a body of water. A scroll at the base containing the originator's name is flanked by a pile of books.

214. [Bookplate for Hôpital Général d'Ottawa No. 6] [Bookplate for Hôpital Général d’Ottawa No. 6] Stamped in black ink on textured, yellowed paper. In the centre, a white cross is depicted on top of a mound of earth. At the centre of the cross, the Catholic icon of the Sacred Heart is depicted: a heart with a flame above it. From the earth, a vine of ivy grows and weaves around the cross. This image is framed by two banners above and below, which bear two phrases in French: “J’ÉTAIS MALADE ET VOUS M’AVEZ VISITE / JE SUIS L’ APPUI DU FAIBLE.” This is enclosed within a circle, which is framed by another circle with a scalloped edge that contains the identification: “SOEURS GRISES DE LA CROIX / OTTAWA.” The entire image is framed with a single black-line border of a wavy line with simple scrolled decorative marks at all four corners.

215. [Bookplate for Holford Walker] [Bookplate for Holford Walker] Pictured in black ink on white paper, is a bird close enclosed within a serpent ouroboros on a crest wreath with mantling extending from it, above a shield argent (silver) ; a bordure, argent ; with eleven quaterings.

216. [Bookplate for Hill's Library] [Bookplate for Hill’s Library] Black ink on yellowing paper. Typewritten text in capital letters and bold followed by sentence case letters in varying serif font sizes. There is a thin line with stylized dots in the centre separating text. Below the line, text is written in large, capitalized, bold serif font. Below that is text written in bold, sentence case. Text is then written in non-bold capital letters. There is a thicker, stylized line with three dots in the centre separating text. Below the line is text written in capital sans serif font, followed by text in smaller, bold sans serif font. Further text is right aligned and written in italicized serif font. Text is then written in capital and sentence case serif font in multiple sizes with section separated by dots. Graphic of hand with index finger pointing right is next to capital, sans serif font. A squared squiggled line is below the finger graphic and above faded text in serif font. Below that is serif font in capital letters and then bold serif font in bold letters. That is separated from bold, capital, serif font with a squared, squiggled line. The following serif font is bold. Below that is larger, bolder serif-font. The following text is written in smaller sentence case and capitalized serif font. Below that is sentence case serif font, followed by larger sans serif font and then bold, capitalized, serif font. The last part of the text is written in sentence case serif font. Handwritten notes cover some of the typewritten text on the right side of the bookplate until approximately halfway down the bookplate. The bottom two corners of the bookplate have been cut off. The bookplate appears to be printed on top of a newspaper or magazine clipping, the recto of which is slightly visible through the bookplate. Black ink serif font text and some imagery are visible. The verso of the bookplate is clearly the other printed side of the magazine or newspaper with serif fonts in bold capital letters and non-bold sentence case letters. The recto of the original print is also slightly visible from the verso side.

217. [Bookplate for Hill's Library] [Bookplate for Hill’s Library] Black ink on cream paper. Handwritten notes across at the top of the bookplate in the center and right corner. Typewritten bold capital letters in serif font followed by smaller non-bold letters. The line below features bold font in sentence case. A thin black line with a thicker rectangle in the middle separates text. Text below the line is large, capital, bold font. The following line is in smaller sentence case. The next line of text is in capital, non-bold font. A thin line with two small diamonds and one large diamond in the center separate the text. Below the line is italicized capital sans serif font. Underneath that is smaller, bold sans serif font. Lending periods written on the right side of the bookplate in italicized sentence case serif font. Below that is capitalized font separated with ellipses from monetary amounts, each of which is separated by 6 dots. Text below, written in sentence case, follows the same pattern, followed by a line in sentence case serif font. Image of hand pointing an index figure to the right points to capitalized bold serif font. Below that is slightly smaller capitalized bold serif font. The following two lines of text are written in sentence case, with some use of bold letters for emphasis. Next are two lines of serif font in capital letters and a larger font size, followed by font in sentence case. The next line of text is in bold capital letters. Below that is larger, bold serif stylized font, followed by smaller non-bold capital lettering. The next five lines contain small sentence case serif font with use of bold letters for emphasis. Below that is bold, capitalized sans serif font, followed by a line that is initially non-bold, capitalized, serif font and then switches to bold, capitalized, sans serif font. The last two lines are written in non-bold sentence case serif font. All text is center-aligned.

218. [Bookplate for Hill's Lending Library] [Bookplate for Hill’s Lending Library] Black ink on yellow pink paper with clipped corners. Capitalized serif-font followed with by a line of stylized bold block lettering with decorative serifs. Next line contains smaller bold serif font in sentence case. Text is then separated by a thin, centered line. Subsequent text written in capitalized, bold, sans-serif font. Below that is smaller, capitalized serif font that is then written in sentence case in the second half of the line. The next four lines use quotation marks to indicate repeat content with some sentence case serif font additions. There is then a line with some capitalized and some sentence case serif font, followed by the same four line pattern of quotation marks and sentence case font. Below that is a line of sentence case serif font. The next line uses capital letters for emphasis followed by sentence case serif font. There is a line of capitalized serif font followed by larger, sentence case bold serif font. The text is separated by a thin centered line. Below the line are capital letters in serif font followed by larger capitalization font in bold, then smaller non-bold capitalized text, then larger bold capitalized text. A shorter thin line separates the text. Below the line are four lines of sentence case serif font. Next is a line in capitalized serif font followed by a smaller, bold line of capitalized serif font. The last line is written in smaller, sentence case, serif font.

219. [Bookplate for Hilda Shibley] [Bookplate for Hilda Shibley] Printed in black ink on white paper, the words 'EX LIBRIS' appear at the top of the bookplate, below which sits a winged stag facing left or a stag sitting on a winged cloud. Below the stag appear the words HILDA / SHIBLEY.'.

220. [Bookplate for Hermes Circulating Library] [Bookplate for Hermes Circulating Library] Textual bookplate printed in black ink and three fonts delineating terms for borrowing. One hand in blue ink.
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results 201-220 of 373 item(s)  page 11 of 19 : ( <<  11  12  13  14  15  16  17  18  19  >> ) :: previous : next
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